Library

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: AC-3

Comments: The last man on earth is not alone

Summary: Will Smith stars in the third adaptation of Richard Matheson’s classic science-fiction novel about a lone human survivor in a post-apocalyptic world dominated by vampires. This new version somewhat alters Matheson’s central hook, i.e., the startling idea that an ordinary man, Robert Neville, spends his days roaming a desolated city and his nights in a house sealed off from longtime neighbors who have become bloodsucking fiends. In the new film, Smith’s Neville is a military scientist charged with finding a cure for a virus that turns people into crazed, hairless, flesh-eating zombies. Failing to complete his work in time--and after enduring a personal tragedy--Neville finds himself alone in Manhattan, his natural immunity to the virus keeping him alive. With an expressive German shepherd his only companion, Neville is a hunter-gatherer in sunlight, hiding from the mutants at night in his Washington Square town house and methodically conducting experiments in his ceaseless quest to conquer the disease.
The film’s first half almost suggests that "I Am Legend" could be one of the finest movies of 2007. Director Francis Lawrence’s extraordinary, computer-generated images of a decaying New York City reveal weeds growing through the cracks of familiar streets that are also overrun by deer and prowled by lions. It’s impossible not to be fascinated by such a realistically altered cityscape, reverting to a natural environment, through which Smith moves with a weirdly enviable freedom, offset by his wariness over whatever is lurking in the dark of bank vaults and parking garages. Lawrence and screenwriters Mark Protosevich and Akiva Goldsman wisely build suspense by withholding images of the monsters until a peak scene of horror well into the story. It must be said, however, that the computer-enhanced creatures don’t look half as interesting as they might have had the filmmakers adhered more to Matheson’s vampire-nightmare vision. "I Am Legend" is ultimately noteworthy for Smith’s remarkable performance as a man so lonely he talks to mannequins in the shops he frequents. The film’s latter half goes too far in portraying Smith’s Neville as a pitiable man with a messianic mission, but this lapse into bathos does nothing to take away from the visual and dramatic accomplishments of its first hour. "--Tom Keogh"

Languages: English

Subtitles: English

Sound: Dolby Digital 2.0 Surround

Comments: love is all you need

Summary: "I Am Sam" makes you laugh, cry, and recoil all at the same time. Perhaps no other film of recent memory has epitomized the shameless sentimentality of Hollywood as succinctly as director and screenwriter Jessie Nelson's story of a mentally challenged man fighting to retain custody of his 7-year-old daughter. Sam (Sean Penn), who has the mental age of 7, wipes down tables at a Los Angeles Starbucks and takes good care of his daughter Lucy, who was left with him shortly after birth by a homeless woman. Sam has gotten by just fine with a little help from his friends, including his eccentric neighbor (Diane Wiest) and a lovable group of similarly challenged friends, but a series of misunderstandings leaves Sam fighting to get Lucy back from the state. Sam's lawyer, Rita Harrison (Michelle Pfeiffer), is an overly ambitious woman whose life is soon transformed by proximity to Sam's brimming humanity. Sean Penn is, as usual, wholeheartedly committed to his role and turns in an admirable, if overtly affected performance. However, "I Am Sam", with all its earnest charm, reaches an emblematic low when Sam, a character apparently devoid of any authentic sentiment, delivers a courtroom speech memorized from "Kramer vs. Kramer" as the film's finale. "--Fionn Meade"

Languages: English

Subtitles: English, Spanish

Sound: Dolby Digital 5.1

Comments: What will you do with yours?

Summary: As paranoid cop Del Spooner, Will Smith ("Independence Day", "Men in Black") displays both his trademark quips and some impressive pectoral muscles in "I, Robot". Only Spooner suspects that the robots that provide the near future with menial labor are going to turn on mankind--he's just not sure how. When a leading roboticist dies suspiciously, Spooner pursues a trail that may prove his suspicions. Don't expect much of a connection to Isaac Asimov's classic science fiction stories; "I, Robot", the action movie, isn't prepared for any ruminations on the significance of artificial intelligence. This likable, efficient movie won't break any new ground, but it does have an idea or two to accompany its jolts and thrills, which puts it ahead of most recent action flicks. Also featuring Bridget Moynahan ("The Sum of All Fears"), Bruce Greenwood ("The Sweet Hereafter"), and James Cromwell ("Babe", "LA Confidential"). "--Bret Fetzer"

Languages: English, French, Spanish

Subtitles: English, Spanish

Sound: Dolby Digital 2.0 Surround

Comments: The Coolest Event In 16,000 Years.

Summary: Just as "A Bug's Life" was a computer-animated comedy inspired by Akira Kurosawa's "The Seven Samurai", the funny and often enthralling "Ice Age" is a digital re-imagining of the Western "Three Godfathers". The heroes of this unofficial remake (set 20,000 years ago, during the titular Paleolithic era) are a taciturn mastodon named Manfred (voiced by Ray Romano), an annoying sloth named Sid (John Leguizamo), and a duplicitous saber-toothed tiger, Diego (Denis Leary). The unlikely team encounters a dying, human mother who relinquishes her chirpy toddler to the care of these critters. Hoping, against all odds, to return the little guy to his migrating tribe, Manfred and his associates need to establish trust among themselves, not an easy thing in a harsh world of predators, prey, and pushy glaciers. Audiences that have become accustomed to the rounded, polished, storybook look of Pixar's house brand of computer animation ("Monsters, Inc.") will find the blunt edges and chilly brilliance of "Ice Age"--evoking the harsh, dangerous environment of a frozen world--a wholly different, and equally pleasing, trip. Recommended for ages 4 and up. "--Tom Keogh"

Languages: English, French, Spanish

Subtitles: English, Spanish

Sound: Dolby

Comments: Kiss Your Ice Goodbye

Summary: Your favorit sub-zero heroes are back for another incredible animated adventure in the super-cool sequel to the global hit comedy 'Ice Age'! The action heats up - and so does the temperature - for Manny, Sid, Diego and Scrat. Trying to escape the valley to avoid a flood of trouble, the comical creatures embark on a hilarious journey across the thawing landscape and meet Ellie, a female woolly mammoth who melts Manny's heart. With its all-star voice cast, including Ray Romano, John Leguizamo, Denis Leary and Queen Latifah, 'Ice Age The Meltdown' is laugh-out-loud fun for the whole family.

Languages: English

Subtitles: English, Spanish, French

Sound: Dolby Digital 5.1

Comments: Thick Thieves. Thin Ice.

Summary: Holiday movies don't get much darker, or more darkly humorous, than "The Ice Harvest", an offbeat comedy that defies expectations. The involvement of director Harold Ramis might lead some to expect a straight-up comedy like Groundhog Day or Analyze This, but despite Ramis's fine and atypically subdued work here, it's the writers (Robert Benton and Richard Russo) who put a stronger stamp on their adaptation of the novel by Scott Phillips. Benton and Russo previously collaborated on Nobody's Fool and Twilight (with Benton also directing), and those films are similar in tone and spirit to this quirky, modern-day film noir, set on a freezing Christmas Eve in Wichita, Kansas, where mob lawyer Charlie Arglist (John Cusack) has a lot on his mind. He's just stolen $2 million from his boss (Randy Quaid), he can't trust his partner Vic (Billy Bob Thornton), he's secretly in love with the manager (Connie Nielsen) of the strip bar he owns, and his best friend (Oliver Platt, giving yet another terrific performance) is married to his ex-wife. Before the night's over, several murders will complicate matters even further, and throughout it all, The Ice Harvest is anchored by Cusack's good-natured presence in a bad-natured story that dares to combine double-crosses and bloodshed with elusive yuletide cheer. It's a strange but oddly appealing combination, not for all tastes but refreshing for that very same reason. "--Jeff Shannon"

Languages: English, Spanish

Subtitles: English, French, Spanish

Sound: AC-3

Comments: The Future Is A No Brainer

Summary: Given that "Office Space" is a bona fide cult classic, it comes as some surprise that Mike Judge's follow-up wasn't more heavily promoted. Granted, this live-action comedy is a darker, more pointed proposition, but it's unfortunate that few theater patrons got the opportunity to, well, judge for themselves. In "Idiocracy", the "King of the Hill" creator visualizes what would happen if Devo's proposition--that mankind is in the process of devolution--came to pass. The catalyst: the overeducated start having fewer children while the undereducated have more. Enter Joe (Luke Wilson), a military librarian with no family and even less ambition. The Pentagon chooses him for a top-secret hibernation project due to his extreme "average-ness." They select Rita ("SNL"'s Maya Rudolph), a prostitute, for the same reason. When the experiment goes haywire, the two emerge 500 years later--rather than one. Now it's 2505 and they're the brightest people in the over-polluted land. Everyone else is, basically, Beavis and Butt-head. Yes, the satire couldn't be less subtle, but the premise gives Judge license to make as much fun of junk food pop culture as dystopian classics like "1984" and "Planet of the Apes". Wilson wisely plays it straight, even if the actors who surround him sometimes succumb to excess. And the effects may be cheesy, but that just adds to the fun. "Idiocracy" features former footballer Terry Crews ("Everybody Hates Chris") as President Camacho and Dax Shepard ("Punk'd") as Joe's futuristic friend Frito. "--Kathleen C. Fennessy"

Languages: English

Subtitles: English

Sound: Dolby Digital 5.1

Comments: The touching story of a boy and his right hand.

Summary: Despite all the pot-smoking in "Idle Hands", the message here seems to be that too many bong hits will take you on a one-way trip to the devil's playground. That's what happens to Anton (Devon Sawa), a wasted teen who's so perpetually zonked on weed that he doesn't notice his parents have been slaughtered by an evil force that then possesses Anton's right hand, taking on a wildly homicidal life of its own after Anton chops it off with a butcher knife. The first victims are Anton's pals Mick (teen-movie stalwart Seth Green), who gets a beer bottle embedded in his skull, and Pnub (Elden Henson), whose head is lopped off by a rotary saw blade, and later reattached with a barbecue fork and duct tape. (Did we mention that Mick and Pnub turn into undead jokesters? It's that kind of movie.) This unoriginal idea is little more than an excuse for gross-out effects and easy one-liners, and then Vivica A. Fox appears as the demon-buster who knows how to kill the hand once and for all. It's fun to a point, and certain to be a popular Halloween hit with its intended teenage audience, but you can't help wishing this movie had tried harder to be something more than a collection of crude and gory gags. "--Jeff Shannon"

Languages: English

Subtitles: English

Sound: AC-3

Comments: All men aren't created Evil.

Summary: In Mary Shelley's Frankenstein, the story revolves around the doctor who creates human life--not the hunchback assistant who helps him pull off the feat. In this computer-animated reinvention, John Cusack's Igor doesn't just take center stage; he stands in for an entire class of underappreciated workers. Igor knows more about science than Dr. Glickenstein (John Cleese), but in the gloomy town of Malaria, Igors simply follow orders. After reanimating grumpy roadkill bunny Scamper (Steve Buscemi), Igor decides he's ready for a bigger project. When his condescending master exits the picture, he seizes the opportunity and constructs a Bride of Frankenstein-type creature (voiced by Molly Shannon), a sweet-natured gal who looks like Picasso's version of Snow White writ large. When Igor commands her to be evil, she hears "Eva." The name sticks. Then when Igor, Scamper, and their not-so-bright buddy Brain (Sean Hayes) take her to the brainwashing clinic so they can enter her in the Evil Science Fair, Eva leaves thinking her mission is to act rather than to frighten children, so Igor convinces her the fair is a rehearsal for the musical Annie. By the conclusion of this inventive tale, creator and creature save Malaria from itself, freeing the Igors and Evas to enjoy the same rights as the scientists and the royals, like Jay Leno's King Malbert. As with Shrek and Monsters, Inc., Igor riffs on famous horror stories, while replacing scares with laughs, and the swing-era Louis Prima songs are an enjoyable touch. --Kathleen C. Fennessy

Languages: English

Subtitles: English, Spanish

Sound: AC-3

Comments: Nothing is what it seems

Summary: First screened in Europe and scheduled for limited release in the U.S., "The Illusionist" offers welcome proof that "arthouse" quality needn't be limited to the arthouses. Set in turn-of-the-century Vienna, this stately, elegant period film benefited from a crossover release in mainstream cinemas, and showed considerable box-office staying power--granted, teenage mallrats and lusty males may have been drawn to the allure of "Seventh Heaven" alumna Jessica Biel, who rises to the occasion with a fine performance. But there's equal appeal in the casting of Edward Norton and Paul Giamatti, who bring their formidable talents to bear on the intriguing tale of a celebrated magician named Eisenheim (Norton) whose stage performance offends the Crown Prince Leopold (Rufus Sewell), a vindictive lout who aims to marry Duchess Sophie (Biel), Eisenheim's childhood friend and now, 15 years later, his would-be lover. This romantic rivalry and Eisenheim's increasingly enigmatic craft of illusion are investigated by Chief Inspector Uhl (Giamatti), who's under Leopold's command and is therefore not to be trusted as Eisenheim and Sophie draw closer to their inevitable reunion. Cleverly adapted by director Neil Burger from Steven Millhauser's short story "Eisenheim the Illusionist," and boasting exquisite production values and a fine score by Philip Glass, "The Illusionist" is the kind of class act that fully deserved its unusually wide and appreciative audience. -- "Jeff Shannon"

Beyond "The Illusionist"
"Eisenheim the Illusionist" and Other Stories


Paul Giamatti in a More Loveable Role
Magic Kits & Accessories Stills from "The Illusionist"

Languages: English, German, French

Subtitles: English, Spanish, French

Sound: AC-3

Comments: Shoot first. Sightsee later.

Summary: The considerable pleasures of "In Bruges" begin with its title, which suggests a glumly self-important art film but actually fits a rattling-good tale of two Irish gangsters "keepin' a low profile" after a murder gone messily wrong. Bruges, the best-preserved medieval town in Belgium, is where the bearlike veteran Ken (Brendan Gleeson) and newbie triggerman Ray (Colin Farrell) have been ordered by their London boss to hole up for two weeks. As the sly narrative unfolds like a paper flower in water, "in Bruges" also becomes a state of mind, a suspended moment amid centuries-old towers and bridges and canals when even thuggish lives might experience a change in direction. And throughout, the viewer has ample opportunity to consider whose pronunciation of "Bruges" is more endearing, Gleeson's or Farrell's. The movie marks the feature writing-directing debut of playwright Martin McDonagh, whose droll meditation on sudden mortality, "Six Shooter", copped the 2005 Oscar for best live-action short. Although McDonagh clearly relishes the musicality of his boyos' brogue and has written them plenty of entertaining dialogue, "In Bruges" is no stageplay disguised as a film. The script is deceptively casual, allowing for digressions on the newly united and briskly thriving Europe, and annexing passers-by as characters who have a way of circling back into the story with unanticipatable consequences. That includes a film crew--shooting a movie featuring, to Ray's fascination, "a midget" (Jordan Prentice)--and a fetching blond production assistant (Clémence Poésy) whose job description keeps evolving. There's one other key figure: Harry, the Cockney gang boss whose omnipotence remains unquestioned as long as he remains offscreen, back in England, as if floating in an early Harold Pinter play. Harry has reasons inextricably tender and perverse for selecting Bruges as his hirelings' destination, and eventually he emerges from the aether to express them--first as a garrulous telephone voice and then in the volatile form of Ralph Fiennes. By that point the charmed moment of suspension, already shaken by several irruptions of violence, is pretty well doomed. But "In Bruges" continues to surprise and satisfy right up to the end. "--Richard T. Jameson"

Languages: English

Subtitles: French

Sound: Dolby Digital 2.0 Surround

Comments: They got a murder on their hands . . . they don't know what to do with it.

Summary: Virgil Tibbs is a Philadelphia Homicide detective home to see his mother in the rural south. He is arrested on general principles when a rich white man is found dead, and Tibbs' being Black is enough reason. When his identity is established, his boss offers his services to the small town sheriff who has little experience with murder investigations. As the two policemen learn how to work together, they begin to make progress on the crime.

Languages: English

Subtitles: English, Spanish

Sound: AC-3

Comments: Rise and fight

Summary: Jason Statham fights for family and country in this sword-and-sorcery adventure adapted from the popular "Dungeon Siege" video game by notorious B-movie jack-of-all-trades Uwe Boll. After Statham (a farmer named Farmer) loses his wife (Claire Forlani) and son to the monster troops of wicked sorcerer Ray Liotta (just one of the film's many eccentric casting choices), he trades in his plowshare for a sword to administer some medieval justice. Meanwhile, Liotta is hard at work at unseating aging king Burt Reynolds and replacing him with his foppish nephew (Matthew Lillard). Eventually, Statham is joined in his quest by veteran warrior Ron Perlman and the father-daughter wizard duo of John Rhys-Davies and Leelee Sobieski, but audiences may be lost by then; "In the Name of the King" is far too poorly paced and written to merit its 127-minute running time (and the American version is shortened by 30 minutes!), despite some energetic battle scenes choreographed by Tony Ching ("House of Flying Daggers"). Those amused by Boll's campy productions may find some humor in Kristanna Loken's vine-swinging jungle girl, or in the performance by Lillard, who seems determined to enjoy himself at all costs. "--Paul Gaita"

Languages: English

Sound: Dolby Digital

Comments: A Global Warning

Summary: With the fate of our planet arguably hanging in the balance, "An Inconvenient Truth" may prove to be one of the most important and prescient documentaries of all time. As he jokingly refers to himself, "former President-elect" Al Gore felt an urgent personal calling to draw attention--as he had been doing throughout his political career--to the increasingly desperate crisis of global warming, and this riveting documentary is basically a filmed version (by respected TV director Davis Guggenheim) of the PowerPoint lecture that Gore has presented (by his own estimate, well over 1,000 times) to attentive audiences all over the world. Considering Gore's amiable, low-key approach to charts, graphs, statistics, and photographs that leave no room for doubt regarding the "reality" (not "theory") of global warming as Earth's ultimate environmental crisis, many viewers will be surprised by just how fascinating and convincing this no-frills film really is.
As we learn about the milestone events that shaped his character (including his sister's death and young son's near-fatal injuries after being struck by a car), Gore sheds the stiff demeanor of his 2000 presidential campaign and impresses us as a man with a mission, transcending partisan politics with an impassioned plea for common sense, ethical forthrightness, and passionate purpose in reversing the harmful effects of global warming through personal and political responsibility. Some may accuse Gore of exploiting global warming as a Democratic platform, but his honest conviction regarding this "inconvenient truth" (i.e. overwhelming evidence of global warming that's troublesome to those whose interests are threatened by Gore's irrefutable message) is likely to silence all but the most obtusely stubborn detractors. By taking the high road and discreetly avoiding a full-on assault against the George W. Bush administration (which has steadfastly avoided "the inconvenient truth" with obfuscating spin control and policies favoring the oil industry), Gore effectively rises above political differences with a stern but hopeful eye toward a better future for our children."--Jeff Shannon"

Languages: English, French, Spanish

Sound: Dolby

Comments: Do hero, ek awaaz!! (Hindi-language version)

Summary: After creating the last great traditionally animated film of the 20th century, "The Iron Giant", filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film. Bird gives us a family of "supers," a brood of five with special powers desperately trying to fit in with the 9-to-5 suburban lifestyle. Of course, in a more innocent world, Bob and Helen Parr were superheroes, Mr. Incredible and Elastigirl. But blasted lawsuits and public disapproval forced them and other supers to go incognito, making it even tougher for their school-age kids, the shy Violet and the aptly named Dash. When a stranger named Mirage (voiced by Elizabeth Pena) secretly recruits Bob for a potential mission, the old glory days spin in his head, even if his body is a bit too plump for his old super suit.































Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals "Spider-Man 2" for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, "The Incredibles" has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").







The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.







Nominated for four Oscars, "The Incredibles" won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.































The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la "Dr. Zhivago"), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.







The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).































Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.







There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's "This American Life") talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? "--Doug Thomas"







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Languages: English, French

Subtitles: English, Spanish

Sound: Dolby Digital 2.0 Surround

Comments: We've always believed we weren't alone. Pretty soon, we'll wish we were.

Summary: In "Independence Day", a scientist played by Jeff Goldblum once actually had a fistfight with a man (Bill Pullman) who is now president of the United States. That same president, late in the film, personally flies a jet fighter to deliver a payload of missiles against an attack by extraterrestrials. "Independence Day" is the kind of movie so giddy with its own outrageousness that one doesn't even blink at such howlers in the plot. Directed by Roland Emmerich, "Independence Day" is a pastiche of conventions from flying-saucer movies from the 1940s and 1950s, replete with icky monsters and bizarre coincidences that create convenient shortcuts in the story. (Such as the way the girlfriend of one of the film's heroes--played by Will Smith--just happens to run across the president's injured wife, who are then both rescued by Smith's character who somehow runs across them in alien-ravaged Los Angeles County.) The movie is just sheer fun, aided by a cast that knows how to balance the retro requirements of the genre with a more contemporary feel. "--Tom Keogh"

Languages: English, French

Subtitles: English, French, Spanish

Sound: Dolby Digital 5.1

Comments: Days never end. Nightmares are real. No one is innocent.

Summary: As a more conventional follow-up to his innovative thriller "Memento", Christopher Nolan's "Insomnia" offers ample proof that his skills are genuine. A superbly crafted remake of the 1997 Norwegian thriller, this moody police procedural is transplanted to a remote Alaskan town, where a veteran Los Angeles detective (Al Pacino) arrives to investigate the murder of a teenaged girl. Professional tragedy collides with psychological turmoil as the detective suffers from sleeplessness under the region's perpetual daylight, and a local rookie cop (Hilary Swank) begins to suspect that truths are being hidden as the disturbing case unfolds. While the Alaskan setting intensifies the atmospheric mystery, Pacino's bleary-eyed disorientation adds a rich layer to his character's erratic behavior, and the casting of Robin Williams as the killer was a risk that pays off nicely. In many respects better than the original, "Insomnia" is a Hollywood remake that's refreshingly free of compromise. "--Jeff Shannon"

Languages: English, French, Spanish

Subtitles: English, French, Portuguese, Spanish

Sound: AC-3

Comments: Fully Charged.

Summary: Suit up for action with Robert Downey Jr. in the ultimate adventure movie you’ve been waiting for, "Iron Man"! When jet-setting genius-industrialist Tony Stark is captured in enemy territory, he builds a high-tech suit of armor to escape. Now, he’s on a mission to save the world as a hero who’s built, not born, to be unlike any other. Co-starring Gwyneth Paltrow, Terrence Howard and Jeff Bridges, it’s a fantastic, high-flying journey that is "hugely entertaining" (Joe Morgenstern, The Wall Street Journal).

Languages: English

Subtitles: English

Sound: Dolby

Comments: Introducing the plans for a new business venture: "The Italian Job."

Summary: Internal countercasting is a big plus in this caper comedy: where else are you going to find Benny Hill and Michael Caine in the same movie? Peter Collinson directs those two as well as Noel Coward, Raf Vallone, Rossano Brazzi, and Irene Handl in a story about the effort to steal gold bullion from the town of Turin. Screenwriter Troy Kennedy Martin eschews heist film tradition by placing more emphasis on the gang's getaway than on the complex robbery itself. The film's main claim to comic fame is a wild chase scene set against an enormous traffic jam. The rest of the movie is less memorable, but that extended action sequence is well worth the wait. "--Tom Keogh"

Languages: English, French

Subtitles: English

Sound: Dolby Digital 2.0 Surround

Comments: Steal The Day 5.30.03

Summary: Though it bears little resemblance to the original 1969 thriller starring Michael Caine, the 2003 remake of "The Italian Job" stands on its own as a caper comedy that's well above average. The title's a misnomer--this time it's actually a Los Angeles job--but the action's just as exciting as it propels a breezy tale of honor and dishonor among competing thieves. Inheriting Caine's role as ace heist-planner Charlie Croker, Mark Wahlberg plays straight-man to a well-cast team of accomplices, including Mos Def, Jason Statham, and scene-stealer Seth Green in a variation of the role originally played by Noel Coward. As the daughter of Croker's ill-fated mentor (Donald Sutherland), Charlize Theron is recruited to double-cross a double-crosser (Edward Norton in oily villain mode), and once again, speedily versatile Mini Coopers play a pivotal role in director F. Gary Gray's exhilarating car-chase climax. It's perhaps the greatest product placement in movie history, and just as fun the second time around. "--Jeff Shannon"