Library

Languages: English, Italian, French, Spanish

Subtitles: English, French, Spanish

Sound: AC-3

Comments: All his life Phil Weston has dreamed of being on a winning team. Phil... your time has come.

Summary: Will Ferrell is at his full, frenzied power as Phil Weston, a married, uncoordinated would-be sportsman with an uncoordinated would-be sportsman son--and an unresolved relationship with his coach father, Buck (Robert Duvall), who has very little tolerance for the uncoordinated. When Buck trades his own grandson to a real loser of a little league soccer team, Phil naturally takes over underdog coaching duties and the two men butt heads. You could easily, and perhaps rightfully, dismiss all of this as a dumb, demented "Meatballs" or "Bad News Bears" rip-off, but it's pleasantly dumb and sometimes hysterically demented: Encouraged by his neighbor, ex-Chicago Bears coach Mike Ditka (yes, playing himself), Phil stops his vitamin regimen and becomes wildly addicted to regular doses of caffeine, which turns him into a monster of a team leader. In addition to Ferrell, Duvall does a doozy of a comic riff on his "Great Santini" role, and even Ditka is unexpectedly funny. It's a formula film with just enough far-out notions to keep you chuckling. "--Steve Wiecking"

Languages: English

Subtitles: Chinese, Japanese, Korean, Spanish

Sound: Dolby

Comments: In the year 2003, Uma Thurman will kill Bill

Summary: Quentin Tarantino's "Kill Bill, Vol. 1" is trash for connoisseurs. From his opening gambit (including a "Shaw-Scope" logo and gaudy '70s-vintage "Our Feature Presentation" title card) to his cliffhanger finale (a teasing lead-in to 2004's Vol. 2), Tarantino pays loving tribute to grindhouse cinema, specifically the Hong Kong action flicks and spaghetti Westerns that fill his fervent brain--and this frequently breathtaking movie--with enough cinematic references and cleverly pilfered soundtrack cues to send cinephiles running for their reference books. Everything old is new again in Tarantino's humor-laced vision: he steals from the best while injecting his own oft-copied, never-duplicated style into what is, quite simply, a revenge flick, beginning with the near-murder of the Bride (Uma Thurman), pregnant on her wedding day and left for dead by the Deadly Viper Assassination Squad (or DiVAS)--including Lucy Liu and the unseen David Carradine (as Bill)--who become targets for the Bride's lethal vengeance. Culminating in an ultraviolent, ultra-stylized tour-de-force showdown, Tarantino's fourth film is either brilliantly (and brutally) innovative or one of the most blatant acts of plagiarism ever conceived. Either way, it's hyperkinetic eye-candy from a passionate film-lover who clearly knows what he's doing. "--Jeff Shannon"

Languages: English

Sound: Dolby

Comments: Revenge is a dish best served cold.

Summary: "The Bride" (Uma Thurman) gets her satisfaction--and so do we--in Quentin Tarantino's "roaring rampage of revenge," "Kill Bill, Vol. 2". Where "Vol. 1" was a hyper-kinetic tribute to the Asian chop-socky grindhouse flicks that have been thoroughly cross-referenced in Tarantino's film-loving brain, "Vol. 2"--not a sequel, but Part Two of a breathtakingly cinematic epic--is Tarantino's contemporary martial-arts Western, fueled by iconic images, music, and themes lifted from any source that Tarantino holds dear, from the action-packed cheapies of William Witney (one of several filmmakers Tarantino gratefully honors in the closing credits) to the spaghetti epics of Sergio Leone. Tarantino doesn't copy so much as elevate the genres he loves, and the entirety of "Kill Bill" is clearly the product of a singular artistic vision, even as it careens from one influence to another. Violence erupts with dynamic impact, but unlike "Vol. 1", this slower grand finale revels in Tarantino's trademark dialogue and loopy longueurs, reviving the career of David Carradine (who plays Bill for what he is: a snake charmer), and giving Thurman's Bride an outlet for maternal love and well-earned happiness. Has any actress endured so much for the sake of a unique collaboration? As the credits remind us, "The Bride" was jointly created by "Q&U," and she's become an unforgettable heroine in a pair of delirious movie-movies ("Vol. 3" awaits, some 15 years hence) that Tarantino fans will study and love for decades to come. "--Jeff Shannon"

Languages: English

Subtitles: Spanish, French

Sound: AC-3

Comments: Rule Your Fate

Summary: King Arthur the Extended Unrated Director's Cut contains fourteen minutes of never-before-seen footage, including more intense battle sequences and the scenes "Rain and Snow" and "Saxons Surrounded." Bonus Features
• Alternate Ending "Badon Hill" With Optional Director Commentary
• Blood On The Land: Forging King Arthur
• Cast And Filmmaker Round Table
• Director Commentary
• "Knight Vision" Trivia Track
• Producer's Photo Gallery
• Konami's King Arthur Playable Xbox Demo

Languages: English

Subtitles: English, French, Spanish

Sound: Dolby

Comments: The eighth wonder of the world.

Summary: Movies don't come any bigger than Peter Jackson's "King Kong", a three-hour remake of the 1933 classic that marries breathtaking visual prowess with a surprising emotional depth. Expanding on the original story of the blonde beauty and the beast who falls for her, Jackson creates a movie spectacle that matches his "Lord of the Rings" films and even at times evokes their fantasy world while celebrating the glory of '30s Hollywood. Naomi Watts stars as Ann Darrow, a vaudeville actress down on her luck in Depression-era New York until manic filmmaker Carl Denham (a game but miscast Jack Black) entices her with a lead role. Dazzled by the genius of screenwriter Jack Driscoll (Adrien Brody), Ann boards the tramp steamer S.S. "Venture", which she--and most of the wary crew--believes is headed for Singapore. Denham, however, is in search of the mythic Skull Island, hoping to capture its wonders on film and make a fortune. What he didn't count on were some scary natives who find that the comely Darrow looks like prime sacrifice material for a mysterious giant creature....
There's no point in rehashing the entire plot, as every movie aficionado is more than familiar with the trajectory of "King Kong"; the challenge facing Jackson, his screenwriters, and the phenomenal visual-effects team was to breathe new life into an old, familiar story. To that degree, they achieve what could be best called a qualified success. Though they've assembled a crackerjack supporting cast, including Thomas Kretschmann as the "Venture"'s hard-bitten captain and young Jamie Bell as a plucky crewman, the first third of the movie is rather labored, with too much minute detail given over to sumptuous re-creations of '30s New York and the unexciting initial leg of the "Venture"'s sea voyage. However, once the film finds its way to Skull Island (which bears more than a passing resemblance to "LOTR"'s Mordor), "Kong" turns into a dazzling movie triumph, by turns terrifying and awe-inspiring. The choreography and execution of the action set pieces--including one involving Kong and a trio of Tyrannosaurus Rexes, as well as another that could be charitably described as a bug-phobic's nightmare--is nothing short of landmark filmmaking, and a certain Mr. Spielberg should watch his back, as "Kong" trumps most anything that has come before it.
Despite the visual challenges of "King Kong", the movie's most difficult hurdle is the budding romance between Ann and her simian soulmate. Happily, this is where Jackson unqualifiedly triumphs, as this unorthodox love story is tenderly and humorously drawn, by turns sympathetic and wondrous. Watts, whose accessibility balances out her almost otherworldly loveliness, works wonders with mere glances, and Andy Serkis, who digitally embodies Kong here much as he did Gollum in the "LOTR" films, breathes vibrant life into the giant star of the film without ever overplaying any emotions. The final, tragic act of the film, set mostly atop the Empire State Building, is where "Kong" earns its place in movie history as a work that celebrates both the technical and emotional heights that film can reach. "--Mark Englehart"

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: AC-3

Comments: Trust No One

Summary: Set in Saudi Arabia, "The Kingdom" is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers "The Kingdom" with actors he has worked with in the past. Berg, who guest-starred on "Alias" opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film "Friday Night Lights".) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the "Friday Night Lights" television series, , make appearances in "The Kingdom". The action sequences he creates are impressive and generate a sense of panic that "The Kingdom" producer Michael Mann ("Miami Vice") undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. "--Jae-Ha Kim"

Languages: English

Subtitles: English, Spanish

Sound: Dolby

Comments: How Far Would You Go To Save The Family Business?

Summary: When you are a tall strapping man who dresses like a woman for a living, finding a pair of sexy but durable shoes can be worth your weight in gold. Lola (Chiwetel Ejiofor)--a drag queen also known as Simon--finds her shoe salvation in straight-laced Charlie Price (Joel Edgerton), who has inherited his father's shoe factory. Unable to pay the bills making traditional loafers and wingtips, Charlie agrees to make Lola a pair of kinky boots that turn out to be so fabulous the pair end up going into business together. They face a few obstacles, such as the bawdy union workers who aren't too keen on taking orders from a drag queen who's more of a man than they are. Then there's Charlie's posh real estate girlfriend, who wants to convert the factory into pricey condos. While the movie doesn't provide any real surprises (or even any scenes as suggestive as its title might suggest), the English film (which is loosely based on a true story) is highly entertaining that will delight fans of both comedy and shoes. "--Jae-Ha Kim"

Sound: DTS

Comments: SeX. MurdEr. MyStery. Welcome to the party.

Summary: Kiss Kiss Bang Bang is a 2005 crime/comedy film, which follows many conventions of the classic film noir genre. It is based, in part, on the novel Bodies Are Where You Find Them by Brett Halliday. The screenplay was written by Shane Black who also directed the film. It was produced by Joel Silver, Carrie Morrow, Susan Levin and Steve Richards. The cast includes Robert Downey Jr., Val Kilmer and Michelle Monaghan as well as Corbin Bernsen, Dash Mihok, Larry Miller, Rockmond Dunbar, Shannyn Sossamon and Angela Lindvall. The title is a reference to Pauline Kael's 1968 book, which in turn was named after a translation of an Italian poster of a James Bond movie, which she called "perhaps the briefest statement imaginable of the basic appeal of the movies."[2]

It was filmed in Los Angeles between February 24 and May 3, 2004. After debuting at the Cannes Film Festival in France on May 14, it received a limited release in cinemas in late October and early November of 2005.

* Robert Downey Jr. as Harry Lockhart
* Val Kilmer as "Gay" Perry von Shrike
* Michelle Monaghan as Harmony Faith Lane
* Corbin Bernsen as Harlan Dexter
* Dash Mihok as Mr. Frying Pan
* Larry Miller as Dabney Shaw
* Rockmond Dunbar as Mr. Fire
* Shannyn Sossamon as Pink Hair Girl
* Angela Lindvall as Flicka

Languages: English

Sound: Dolby Digital

Summary: This remake of a 1947 film noir casts David Caruso (freshly escaped from TV's "NYPD Blue") in the role originally played by Victor Mature. He plays Jimmy Kilmartin, a reformed criminal struggling to keep straight and keep his wife (Helen Hunt) from going back to the bottle. But a favor for his cousin lands him back in the clink, and when his wife dies, he comes out ready to make a deal with the D.A. He becomes an informant, joining the crew of Little Junior Brown (Nicolas Cage), a pumped-up, asthmatic psycho who weightlifts strippers for amusement. Eventually, Jimmy finds himself forced to keep his radar up for treachery from both the criminals he's finking on and the cops he's working for. This film, directed by Barbet Schroeder, didn't do much business, despite a powerful but controlled performance by Caruso and a scarily splashy one by Cage. "--Marshall Fine"

Languages: English, French

Subtitles: English, Spanish

Sound: Dolby Digital 5.1

Comments: A detective is searching for a deadly collector. His only hope is the woman who got away.

Summary: Coming after "The Silence of the Lambs" and "Seven", this thriller about a collaboration between two serial killers feels like a pale attempt to cash in on the success of those earlier, better films. That's a pity, because this film certainly has its strengths--particularly in the central performances of Morgan Freeman as a forensic detective and Ashley Judd as a would-be victim who escaped from one of the killers. Director Gary Fleder demonstrates visual flair and maintains an involving undercurrent of tension, but as this adaptation of James Patterson's novel approaches its climax, familiar elements combine to form a chronic case of thriller déjà vu. It's altogether competent filmmaking in the service of a moribund story of competing psychopaths, and by the time the serial killers reach the home stretch of their twisted contest, the movie's dangerously close to Freddy Kruger territory, with a finale that could've been borrowed from any dozen similar thrillers. "--Jeff Shannon"

Languages: English, French

Subtitles: English, French

Sound: Dolby Digital 5.1

Comments: From peasant to knight; one man can change his stars

Summary: There's no rule against rock anthems from the 1970s in the soundtrack for a movie about a medieval jousting champion, but if you're going to attempt such jarring anachronisms, you'd better establish acceptable ground rules. Writer-director Brian Helgeland does precisely that in "A Knight's Tale" and pulls off this trick with such giddy aplomb that you can't help but play along. (Upon witnessing a crowd of peasants at a jousting match, singing and clapping to the beat of Queen's "We Will Rock You," you're either going to love this movie or dismiss it altogether.) Other vintage rock hits will follow, but Helgeland--the Oscar®-winning cowriter of "L.A. Confidential"--handles this ploy with judicious goodwill, in what is an otherwise honest period piece about a peasant named William (Heath Ledger) who rises by grit and determination to the hallowed status of knighthood.
As if the soundtrack weren't audacious enough, Helgeland (recovering from the sour experience of his directorial debut, "Payback") casts none other than Geoffrey Chaucer (wonderfully played by Paul Bettany) as William's cohort and match announcer, along with William's pals Roland (Mark Addy) and Wat (Alan Tudyk), and feisty blacksmith Kate (Laura Fraser). Of course there must be a fair maiden, and she is Jocelyn (newcomer Shannyn Sossamon), with whom William falls in love while battling the nefarious Count Adhemar (Rufus Sewell) on the European jousting circuit. Add to this an inspiring father-son reunion, Ledger's undeniable charisma, a perfect supporting cast, and enough joyful energy to rejuvenate the film's formulaic plot, and "A Knight's Tale" becomes that most pleasant of movie surprises--an unlikely winner that rises up, like its hero, to exceed all expectations. "--Jeff Shannon"

Languages: Cantonese, English, French

Subtitles: English, French, Korean

Sound: AC-3

Comments: A new comedy unlike anything you have seen before

Summary: Stephen Chow (director and star of "Shaolin Soccer") is at it again with his newest action-packed and comedic martial-arts adventure, "Kung Fu Hustle". From wildly imaginative kung fu showdowns to dance sequences featuring tuxedoed mobsters, you've never seen action this outrageous and characters this zany! With jaw-dropping fight sequences by Yuen Wo Ping (famed action choreographer of "Crouching Tiger, Hidden Dragon" and "The Matrix"), "Kung Fu Hustle" will blow you away! In a town ruled by the Axe Gang, Sing (Stephen Chow) desperately wants to become a member. He stumbles into a slum ruled by eccentric landlords who turn out to be kung fu masters in disguise. Sing's actions eventually cause the Axe Gang and the slumlords to engage in an explosive kung fu battle. Only one side will win and only one hero will emerge as the greatest kung fu master of all.